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My 6-week writing process: from draft to finish

For the past six (6) weeks, I have been working on my novel for the LAPA Publishers YA competition. I decided to enter the competition on 18 September, the competition closed on 31 October.

Why? Because making my life difficult is one of my favourite past times.

I usually write a complete manuscript in three – to five months. I had to speed up my writing process for the competition.

I’ve always been someone who can finish a draft of a book in about four weeks, so I wasn’t scared I would finish the first draft. But I didn’t want to send in the first draft, so I was driven to finish the novel. I finished my first draft in ten (10) days – it was just over 24 500 words.

I also let it rest for ten (10) days – usually I let it rest for at least a month. To be honest, I didn’t ignore the book for the full ten (10) days. For about four (4), I did the intense research to improve as quickly as possible.  

I read a lot, listen to advice, and viewed critical reviews of books in the same genre.

Brandon Sanderson’s “Five tips for writing your first novel” was invaluable. “Begin with a monologue,” was his second tip. It was a great way to get to know my character and story.

I used character profile to interview my main character. This method adds depth to my characters and enhances the overall storytelling experience.

I also put a lot of pressure on my beta readers to get back as soon as possible.

I’m excited to get this book out into the world, and I know that pressure is a part of the process. Receiving immediate feedback has been both nerve-wracking and rewarding.

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3 writing lessons from Lynn Ma’s “Los Angeles”

I recently had the privilege of delving into Ling Ma’s short story, titled “Los Angeles,” and it was truly a revelation, packed with profound insights into the art of storytelling. Here are my key takeaways:

1. Your character can defy convention

In “Los Angeles,” what struck me most was how the character wasn’t tethered to the conventional norms. The story is delightfully absurd, weaving a narrative about a woman in cohabiting with her 100 ex-boyfriends. Despite its absurdity, the tale feels remarkably believable, largely owing to the tone the character adopts. This character’s voice is a blend of factual, straight-to-the-point statements, beautifully crafted to make the narrative feel grounded and authentic.

2. The hook and inciting incident dynamics

Ma’s narrative strategy challenges the traditional structure of storytelling. While the story kicks off with a powerful and intriguing hook, the inciting incident doesn’t unfold until halfway through the short story. This unconventional approach might seem challenging for novice writers, but Ma executes it brilliantly. It keeps the reader engaged, constantly questioning, and anticipating, creating a unique reading experience.

Hook:

“The house in which we live has three wings. The west wing is where the Husband and I live. The east wing is where the children and their attending au pairs live. And lastly, the largest but ugliest wing, extending behind the house like a gnarled, broken arm, is where my 100 ex-boyfriends live.”

Inciting incident

“The door swings opens. It’s Aaron.

I thought you weren’t talking to me, I say.

I need a ride. Will you drive me?

Get Geoff. He’s probably awake.

No, just you, please. What are you doing?

Exercising.

He clears his throat. I’m leaving.

Leaving where?

Leaving here. I’m moving out.

My breath catches.

You can’t say that you didn’t expect this, Aaron says. Everyone’s overstayed.”

3. Crafting a nuanced ending

The conclusion of “Los Angeles” doesn’t necessarily deliver a profound lesson or neatly close the narrative circle. It also doesn’t opt for a wide-open ending, leaving readers hanging. Instead, it skillfully moves beyond the expected moments of empowerment or realization. It strikes a balance, offering a glimpse into the character’s evolution while retaining an air of mystery. This nuanced approach allows readers to draw their own conclusions, making the story linger in their minds.

In essence, “Los Angeles” is a remarkable story that transcends conventional norms. It challenges the writer to rethink character portrayal, experiment with narrative structures, and craft endings that are both satisfying and thought-provoking.

If you haven’t read it yet, you can find it here.

Happy reading!

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How my revision process has changed!

In my journey as a writer, I’ve encountered a ton of advice. One piece that keeps cropping up is “don’t edit while you write.” The rationale is clear: especially for those in the early stages of their writing journey, focusing on editing during the first draft can be counterproductive. It can slow you down and even lead to the dreaded writer’s block.

So, this advice is gold if you aim to complete that elusive first draft, or if you’ve been grappling with finishing your drafts.

Now, here’s where it gets interesting – it doesn’t quite work for me. In the course of my last two book projects, I began experimenting with editing as I went along, and the results were surprising.

Every writing session now involves not only adding new words to the page but also a quick review of what I wrote earlier. This helps me to keep a sharp eye on the evolving thread of the story and fine-tune my characters’ voices on the fly.

Of course, this approach may not be everyone’s cup of tea, and that’s absolutely fine. What works for one writer may not work for another, and the key is to find the rhythm and technique that suits you best.

So, don’t be afraid to experiment and make your writing process your own. Don’t blindly follow advice, even if it’s well-meaning. Test the waters and see what clicks for you. After all, writing is an art, and the process is as unique as the stories we tell.

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Why am I doing NaNoWriMo this year?

1 November marked the beginning of the annual writing frenzy that is NaNoWriMo. I must confess; I’ve never been one of those die-hard fans of this writing challenge.

Sure, I fully recognize its merits. NaNoWriMo can be an incredible tool for finishing that elusive first novel, pushing your writing boundaries, and becoming part of a vibrant, supportive community. The idea is undeniably appealing.

But here’s the catch. I know myself well enough to understand that I’d get too fixated on the word count, potentially undermining the joy of the writing process. So, for years, I stood on the sidelines, cheering on my fellow writers.

However, this year, something changed. Instead of diving into the traditional NaNoWriMo sprint, I decided to take a different route. I’m challenging myself to do something that’s perhaps equally daunting but significantly more in tune with my writing style and needs.

I’m diving into a month of rigorous self-editing on Book 3. This manuscript has just returned from the editor, sporting a multitude of suggested corrections. It’s my time to dive in and take a closer look at the book, but this time, I aim to relish the process.

For me, it’s no longer about word count control; it’s about immersing myself in my story and striving to make it the best it can be. This is my unique NaNoWriMo spin, and it’s all about enhancing my novel before I send it off, polished and ready, into the world.

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Beyond the boxes: exploring the complexities of diverse narratives

Two years ago, a literary professor ignited a profound debate: why are novels increasingly authored by individuals previously on the literary fringes – people of colour and women? This discussion has stayed with me, prompting a constant self-examination of my own writing. Am I, as the professor implied, adhering to certain predefined parameters when creating my characters and stories?

My unequivocal answer is no.

A few years back, I stumbled upon an article (the source of which escapes my memory) that asked a pertinent question: why are works by women and people of colour almost invariably viewed through a political lens? This question has gnawed at me ever since, and it underscores my quest to respond to the literary professor’s inquiry.

As an author, my process begins with the character. From the character, the story naturally unfurls. I have never been able to craft a narrative and then insert characters as an afterthought. The notion of ticking off characters as if they were items on a checklist is simply beyond my creative realm.

What startled me about the professor’s perspective was not that he had read these works, but rather his apparent inability to focus on the unique narratives and the characters’ perspectives. He seemed to bypass the opportunity to immerse himself in these characters’ worlds or journey alongside them. Instead, his initial reaction was to criticize.

He seemed unable to empathize with characters who deviated from what he deemed “normal” or mainstream. This raises an essential question: why do we so often politicize the works of people of colour and women? Is it a sincere effort to emphasize the significance of these narratives, or is there a more insidious motive at play?

Politics have infiltrated virtually every sphere of our lives, making discussions about race, gender, and identity both ubiquitous and exhausting. The danger lies in our tendency to politicize these diverse narratives, inadvertently rendering them unprofitable for publishing houses. This, in turn, can have a chilling effect on the careers of these talented authors, stifling their voices and limiting the literary landscape.

The challenge before us is to transcend the checkboxes and delve deeper into the rich tapestry of diverse narratives. Instead of viewing these works solely through a political prism, we should embrace them for their unique storytelling, their multifaceted characters, and their ability to transport us into uncharted literary realms.

It’s not about checking boxes; it’s about opening minds. It’s about recognizing that every narrative, regardless of the author’s background, deserves to be appreciated on its own merits. When we move beyond the confines of political interpretation, we allow these stories to flourish and enrich our literary world.

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The power of a title in the editing process

Are you a discovery writer, aka “pantser” in the world of writing? I know I am. But something peculiar that I’ve recently discovered about my writing process is that the editing phase only truly starts to feel complete once I’ve chosen the final title for my manuscript. It’s at that point that I can accurately capture the tone and characterization of the story. I’ve found this to be a vital step in perfecting my work.

You might be wondering, does anyone else have this quirky habit? Well, it turns out, many writers have unique approaches to their creative process. Some need a detailed outline before they even start writing, while others, like me, find the essence of their story through the act of writing itself. It’s the beauty of the writing world — no two authors are exactly the same.

The title of a piece can be a powerful tool. It serves as a guide, encapsulating the essence of the work and helping the writer fine-tune the narrative, tone, and characterization. It’s a compass that can point your story in the right direction.

So, whether you’re a planner or a pantser, remember the significance of the title in your editing process. It might just be the key to unlocking the full potential of your manuscript. Do you have any unique writing habits or quirks in your process? Feel free to share them with us; we’d love to hear about your creative journey.

Read more:

Why Am I Not at That Level Yet? Navigating the struggles with editing and self-comparison
The editing rollercoaster: favourite discoveries and toughest doubts
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Why Am I Not at That Level Yet? Navigating the struggles with editing and self-comparison

Editing – it’s that critical phase in the writing process where we take our raw, creative bursts and transform them into polished, publishable story. While it’s undoubtedly a necessary step, it can also be a source of immense frustration, especially when self-comparison rears its head.

One of the most common struggles writers faces during the editing process is the nagging question: “Why am I not at that level yet?” It’s that feeling you get when you read a beautifully crafted novel, full of elegant prose and compelling storytelling, and then glance back at your own work with a tinge of self-doubt.

You might wonder why your sentences don’t flow as smoothly or why your characters don’t seem as vivid. It’s easy to get caught up in the comparison game, measuring your work against your favourite authors.

Here’s the truth that we often forget: every writer, even those celebrated authors whose books we admire, started somewhere. They didn’t pen masterpieces from day one. Instead, they embarked on a journey of countless drafts, revisions, and edits to refine their work.

It’s essential to remember that the process of becoming a better writer is just that – a process. It’s a path filled with highs and lows, with moments of self-doubt and moments of revelation. Every writer, no matter how experienced, faces their unique challenges and insecurities.

Rather than dwelling on the gap between your current writing level and where you aspire to be, embrace your journey. Understand that every word you write, every edit you make, and every draft you complete is a step forward. Each page is a lesson, a chance to improve and grow.

Editing is not just about perfecting your work; it’s about learning and evolving as a writer. It’s a chance to hone your skills, experiment with different techniques, and discover your unique voice.

Instead of fixating on what you haven’t yet achieved, celebrate how far you’ve come. Take pride in the improvements you’ve made and the lessons you’ve learned along the way.

Also read:

The editing rollercoaster: favourite discoveries and toughest doubts
How do I use ChatGPT to improve my writing?
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The editing rollercoaster: favourite discoveries and toughest doubts

I am currently in my editing era – it’s a love-hate phase of my writing process. It’s a rollercoaster of emotions for any author. As I dive into this crucial part of the process, I can’t help but notice the stark contrast between my favourite part and my least favourite thing about it.

Favourite part: discovering new scenes and depth

One of the most exhilarating aspects of editing, for me, is the moment when I stumble upon a hidden gem within my manuscript. It’s like unearthing buried treasure right in my own backyard. These are the scenes, the lines, the subplots that I had no idea existed during the frenzied drafting phase.

These hidden gems often add a layer of depth and richness to the story that I couldn’t have anticipated. It’s as if my characters have whispered secrets to me while I wasn’t looking, and now, during the editing process, I get to share those secrets with my readers.

These unexpected discoveries might be a subtle character moment that reveals their true nature, or it could be a twist in the plot that elevates the story to a whole new level. It’s these moments that remind me of the magic of writing, where creativity takes the wheel and steers the story in unanticipated directions.

Least favourite thing: doubting every other scene

On the flip side, editing is also the phase where self-doubt can rear its ugly head. As I go through my manuscript with a fine-tooth comb, I can’t help but question nearly every scene, every sentence, and every word choice. It’s as if I have an internal editor who’s determined to cast doubt on my work.

Is this scene too slow? Is that dialogue believable? Does this paragraph even make sense? These questions swirl around my head like a never-ending storm, making it hard to maintain confidence in my writing.

Here’s the thing – self-doubt, while frustrating, is also a crucial part of the creative process. It pushes me to strive for perfection, to refine my work until it shines. So, while I might grumble about it, I know that it’s ultimately helping me become a better writer.

In the end, the editing process is a bittersweet journey. It’s a rollercoaster of emotions, with thrilling highs and challenging lows. But through it all, I remind myself that every edit, every doubt, and every discovery is a step toward making my book the best it can be. And that’s a ride worth taking.

Also read:

How do I use ChatGPT to improve my writing?
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What role does elitism play in marketing? The importance of active engagement in book marketing

When it comes to book marketing, you often run into folks who aren’t exactly thrilled about using social media as a promotional tool. I get it; on the surface, it seems like a hassle.

But here’s the thing: beneath that reluctance, there’s sometimes a hint of elitism and, well, let’s be honest, a touch of laziness.

In the book world, there’s this old-school notion that marketing is the job of publishing houses. Some authors even believe that if they’re “real” authors, they shouldn’t have to bother with marketing. Now, I don’t know about you, but to me, that perspective feels as outdated as a rotary phone at a tech conference.

Let’s dive into this a bit more. First off, when you avoid active marketing, you might unintentionally give off vibes of being disconnected from, or worse, superior to your readers. And that’s a problem because storytelling is all about connecting with readers on a personal, emotional level.

Now, onto the second point. Expecting your publishing house to do all the heavy lifting in the marketing department is a tad unrealistic. They’ve got a gazillion other tasks and authors to deal with. Relying solely on them to promote your book? Well, let’s just say it’s not the most practical game plan.

“Publishers are there to distribute, not to help market. Expect to do 95% of the marketing yourself, even if you’re with one of the big guys,” says Tori Dunlap, money expert and author of New York Times bestseller Financial Feminist. (Tori Dunlap — Money Expert on X: “I’ve sold 70,000 copies of my book Financial Feminist (a New York Times bestseller) in 4 months. But I just read that the average sales of a published book are 3,000. For the ENTIRE LIFETIME of the book. Here’s what I learned about marketing and selling a book. (a thread) https://t.co/mmrrKnlvCz” / X (twitter.com))

You, the author, are the ultimate authority on your work. You know your characters, your world, and the subtleties of your story like the back of your hand. So, who better to convey the essence of your book than you? It’s a goldmine of potential, waiting to skyrocket your book’s visibility and success.

In a nutshell, the idea that marketing is the sole domain of publishing houses or that it’s beneath a “serious” author is, frankly, past its prime. Embracing active engagement in marketing doesn’t take away from your craft; it strengthens the bond between you and your audience.

Your readers are waiting, and your story deserves to shine!

Also read:

Marketing when you’re uncomfortable 
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Let your character take up space in a unique way!

“A little talent is a good thing to have if you want to be a writer. But the only real requirement is the ability to remember every scar.” – Stephen King

I have been struggling with setting in my manuscripts for as long as I can remember. Of course, I had a revelation when I least expected it.

I was on my way of picking up a package and while I was walking, I twirled. It’s something I love to do – it brings me joy.

As I looked down at my body twirling, I realised why I, Cliffordene, have not mastered yet. I use mastered here loosely because I don’t think any author truly ever master’s writing. It keeps evolving and you should too.

In literature, the setting is the time, location, and physical environment of a narrative. A setting can be a specific geographical location, a historical era, or a fictional location or world. Other setting examples include the modern day, or in an unknown time and place, such as the future.

I realised that setting isn’t just about time, location, and physical environment. For me, it’s about how the character takes up space within that setting. I always tried to focus on painting and decorating the room for my readers, but the character experiences the room truly makes it real to me.

If I know how the character experiences the room, I can also see how the setting influences the character’s actions.

This is not something profound but while I looked down at me twirling and how I took up space, I immediately thought about the character I am currently writing: She is overly confident and a bit selfish, and how she takes up space and how her mother takes up space are two different things.

Here is the kicker, my readers wouldn’t know it, because I never showed them that.

Now that I know how she takes up space, I can contrast it with her mother and make the story immersive for my readers.

Come along for the journey.  Setting’s definition by Masterclass: https://www.masterclass.com/articles/what-is-setting-in-writing-plus-dan-browns-5-tips-on-writing-setting

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Returning to Nalini Singh’s Guild Hunter World with Archangel’s Sun

As a devoted fan of Nalini Singh’s Guild Hunter series, I recently embarked on a journey back into her captivating universe, revisiting her richly woven tales of archangels, angels, vampires, and the intricate web of power and politics that binds them.

The latest book re-read is Archangel’s Sun, the 13th instalment in this spellbinding series, and it did not disappoint.

One of the standout aspects of Singh’s Guild Hunter series is her ability to craft multi-dimensional characters, and Archangel’s Sun is no exception. The story centres around Titus, the archangel responsible for the vast continent of Africa, and he’s a character that’s impossible not to like. His strength, power, and the weight of his responsibilities make him a captivating main character.

But what truly sets this story apart is the introduction of the enigmatic and mesmerizing Shari, AKA Hummingbird. Her character is a masterpiece of complexity, an old and powerful being whose mind is a kaleidoscope of broken memories. Watching her evolve throughout the book is a thrilling experience, and her interactions with Titus are filled with both tension and tenderness.

Singh weaves a tale of post-archangelic war consequences that stretches from New York to Africa. The lingering legacy of the Archangels of Death and Disease manifests in the form of the reborn, undead creatures with a chilling glimmer of intelligence. Titus takes on the monumental task of stopping this new threat from spreading, but he can’t do it alone.

The backdrop of a world reeling from war and teetering on the brink of chaos provides an intense and immersive atmosphere. Singh’s world-building skills shine as she delves into the intricacies of the Guild Hunter universe, bringing both familiar and new elements to life.

One of the elements I appreciated most about Archangel’s Sun is how it delves into the aftermath of the archangelic war, exploring the consequences and the challenges faced by the surviving angels and archangels. The portrayal of their struggles and vulnerabilities adds depth to the story, making these supernatural beings feel relatable and human in their own way.

And then there’s the mysterious gift left behind by the Archangel of Disease, a revelation that is as chilling as it is captivating, driving the narrative forward with a relentless sense of urgency.

One of the main, I wouldn’t call it disappointments, more like missed opportunities, is Singh showing the Hummingbird side of Shari. Shari is rediscovering herself after her time in the kaleidoscope – she is finding her wing strength, power, and sense of humour.

However, she is still in an extremely tense situation. It would’ve done her character an amazing service by using her art as a stress relief and maybe leave some of the tragedy on the canvas.  

Nalini Singh continues to prove why she’s a powerhouse in the genre, and I can’t wait to see where the Guild Hunter series takes us next.

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How do I use ChatGPT to improve my writing?

Hello, everyone! 😊
It’s been about ten incredible months since ChatGPT burst onto the scene, revealing the incredible power of artificial intelligence. But hey, no need to panic, my fellow bookworms; this AI wizardry is here to help, not harm!

Initially, there were rumours flying about, suggesting that this was the end for authors everywhere. Yet, at work, I embraced ChatGPT with open arms. Still, I must confess, when it came to using it for my creative writing, I was a tad hesitant. The fear of losing my unique voice and inadvertently sounding like every other author haunted me. Oh, and don’t even get me started on the dread of accidentally plagiarizing someone else’s words!

However, as I dived headfirst into ChatGPT at my nine-to-five, I had an epiphany – AI was a fantastic tool, capable of saving precious time and enhancing my writing skills. So, for the past three months, I’ve been using ChatGPT more frequently, and folks, I’m loving every bit of it!

ChatGPT edits and refines my blog posts
First things first, ChatGPT works its magic by editing and fine-tuning my blog posts. It ensures my message shines through with crystal clarity while giving it a polished, professional touch.

Streamlined writing advice
Ever found yourself trapped in a writing rut? Well, let me introduce you to my writing saviour – ChatGPT! It’s like having your personal writing coach right at your fingertips. ChatGPT provides straightforward writing advice that’s perfect for tackling those pesky challenges like improving sentence structure, enhancing clarity, or refining storytelling techniques.

For instance, whenever I hit a roadblock while trying to conjure up vivid descriptions, I turn to ChatGPT for tips. And oh boy, it never disappoints! It might suggest techniques like using specific details to evoke emotions or throwing in a metaphor or simile to add that extra oomph to my writing.

Manuscript Development Editor
ChatGPT truly shines when it comes to the editing phase. It’s like having your very own manuscript development editor on speed dial. It helps me spot those pesky inconsistencies in my plot, points out when I’m being a little too repetitive, and even suggests alternative word choices. It’s like having a literary best friend who’s got your back while you fine-tune your masterpiece.

A trusted team member for business decisions
But hold on, it’s not just about writing! Writing is more than crafting beautiful sentences; it’s also about making informed decisions. ChatGPT has become an invaluable member of my team when it comes to brainstorming ideas or evaluating business strategies. Its insights have proven to be golden nuggets during decision-making sessions.

Pros and cons of leveraging ChatGPT
Of course, like all superheroes, ChatGPT does have its strengths and limitations. On the plus side, it’s incredibly accessible, lightning-fast, and serves up a diverse array of writing advice. However, it’s vital to remember that ChatGPT isn’t a substitute for human editors or the power of teamwork. It might not grasp every nuance of your unique writing style, so use its suggestions wisely.

ChatGPT is like a trusty sidekick in your writing and decision-making adventures. Whether you need writing advice, a manuscript editor, or a brainstorming buddy, ChatGPT is your go-to companion. Just remember, it’s part of your creative toolkit, working in harmony with your unique creativity and critical thinking to help you achieve the absolute best results.

However, it’s not a replacement for human editors or team collaboration. It might not fully grasp the nuances of your writing style, so use it wisely.

Just remember to use it as part of your toolkit, alongside your own creativity and critical thinking, to achieve the best results.

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Things that inspire me to write

  • Quotes that resonate with my emotions and bring back memories of people I’ve encountered.
  • A memory of someone I haven’t met before.
  • Lyrics that strike a chord within me.
  • The first light of the morning.
  • My dogs’ sleeping peacefully next to me, their presence comforting and calming.
  • The scent of the ocean.
  • Funny moments that provoke laughter, reminding me of the joy in life.
  • A collection of unsaid words: reflecting on the things I wish I could have said.
  • Long conversations with my best friend, uncovering stories and shared experiences.
  • Recalling the moments that time may try to fade.
  • The bittersweet feeling of missed opportunities, a reminder to seize the present and not forget.
  • Memories that remain imprinted in my mind, ensuring that important details are remembered.
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’n Dag van magic vir ’n skrywer

Skryf beteken dikwels om alleen te sit agter ’n rekenaar (soos ek nou doen) en jou karakters beter te leer ken!

Dit is my gunsteling deel van om ’n skrywer te wees, maar elke nou en dan kry ons die geleentheid om die buitengewone te doen. Dit was my onlangse ervaring.

Gereed vir aksie?

My eerste digitale kortverhaalbundel, “Hartsmense,” is beskikbaar vanaf 1 September. Dit word deur VivA Uitgewers uitgegee en ook deur hulle verkoop. Dit is ’n wonderlike twee-in-een-bundel – ’n e-boek en ’n oudioboek. Om regte stemme vir elke kortverhaal te vind, was nie ‘n maklike taak nie – alhoewel Marlie Coetzee dit meestal bestuur het.

Sy het my gevra om dit te oorweeg om self van die stories te lees. Ek het my niggie en suster – belangrike dele van my skryfspan – gevra wat hulle dink.

“Nee,” het Cayla onmiddellik haar kop geskud. “Jy gaan senuweeagtig word en te vinnig praat.”

Sy het goeie rede gehad om bekommerd te wees. Ek kan vinnig praat as ek senuweeagtig is. Ek het twee wonderlike vroue gevra om die stories voor te lees.

Die week wat die studio bespreek is, het daar egter struikelblokke voorgeval en albei was nie beskikbaar nie. Oukei, dis ’n teken, het ek besluit. Ek sou self al drie stories voorlees.

Gelukkig het ek goeie familie en vriende, en ek het onmiddellik “ja” gesê toe ek hulle vra.

Ek met die wonderlike Marlie Coetzee (links) en my vriend en stemkunstenaar, Vrede Nkolonyane.

Die aand van my 33ste verjaarsdag het ek geoefen, geoefen en geoefen. Dit het ’n vreemde invloed op my gehad: dit het my senuwees verminder en ek het weer verlief geraak op die kortverhale in “Hartsmense”. Die twyfel wat altyd aan ’n skrywer knaag het met elke oefenlopie, het verminder.

Die Vrydagoggend was ek senuweeagtig en my suster ook. Ons het opgestaan en mekaar moed ingepraat. Ons het by ’n studio in die NWU Konservatorium opgeneem en ons was vroeg daar.

Johan, ons klankingenieur, het ons vinnig gemaklik laat voel. Marlie het alles verduidelik en ons het ’n toetslopie of twee gedoen.

Van links: Johan, die klankingenieur, my suster Carmen Norton, die uwe, en Vrede 🙂 Foto: Deur Marlie

Natuurlik het ons foute gemaak, en elkeen van ons het ons foute getel, maar dit was wonderlik om te hoor hoe elke storie ’n stem kry. Die stem was anders as wat ek my voorgestel het, maar tog perfek.

Die stories het nuwe diepte en ’n hart gekry. Dit was absoluut wonderlik!

Na my bundel aanvaar is, was ek bietjie “hart”-mal 🫶

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Hartsmense-voorblad

Hierdie stuk het eers op my Facebook-blad verskyn:

Op universiteit het ek my neus opgetrek vir kortverhale. Ek wou ’n BOEK skryf. Toe ontmoet ’n jong vrou een aand in my drome haar suster voor ’n til en ek moes haar storie vertel.

Dit was my eerste kortverhaal en ek was verlief. Vreemd hoe my genres, kort- en jeugverhale, mý gevind het, in plaas van ek vir hulle. Asof hulle gewag het tot ek hul waardig is, voor ek kon verlief raak op hulle.

Sedert daardie eerste kortverhaal het ek al honderde kortverhale geskryf en meer as dertig is gepubliseer.

Baie mense het gevra wanneer gee ek ’n bundel uit, maar soos met die genres moes ek vir die regte mense wag. Ek het dit by VivA Uitgewers en Marlie Coetzee gevind.

In die maande wat ons saam gewerk het, het hulle bevestig dat Afrikaanse boekebedryf ver van dood is. Hulle het my sterk laat voel, my menings en insette ter harte geneem, en in elke tree hiervan ondersteun. Ek wens daardie gevoel vir elke skrywer toe.

Kan julle glo, ek wou net skryf: Hier is Hartsmense se voorblad – #WeesBeïndruk. Wat ’n voorblad is dit nie!

My kortverhaalbundel, Hartsmense, word deur VivA Uitgewers uitgegee en sal as ʼn eboek-oudioboek verskyn

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The benefits of life getting in the way of writing

Hey there!

Today, I want to talk about something we all face at some point in our writing journey – the pesky little thing called life. You know that meme we’ve seen a thousand times, where life just loves to throw itself in the middle of our writing adventure? Yeah, we’ve all been there.

As an author, you might find yourself planning to sit down and write, but suddenly, life decides to take centre stage. Whether it’s family responsibilities, unexpected trips, or even just a random wave of doctor’s appointments, these moments can be frustrating.

But let’s pause for a moment and think about it.

Life’s interruptions can actually be a blessing in disguise. Sure, they might momentarily halt our writing progress, but they also provide a much-needed break. Sometimes, we get so caught up in our writing world that we forget to live our own lives. And that, my friends, is where the magic happens.

Recently, I had one of those “aha” moments. I realized that life’s interruptions aren’t just annoyances; they’re a reminder that life itself is a privilege. Getting out there, experiencing new things, taking care of our loved ones – it’s all part of being human. And it’s in these moments that we gather the very experiences and emotions that enrich our writing.

These seemingly mundane moments – the ones that make up the fabric of our lives – can be the fuel for our creative fire.

Writing isn’t just about crafting beautiful stories with colourful characters. It’s about capturing the essence of life in all its messiness and splendour. Sometimes, the most amazing moments are the ones that don’t fit the traditional narrative. They’re the ones that make us laugh, cry, and wonder at the world’s complexity.

So, the next time life decides to barge in while you’re writing, take a deep breath and embrace it. See it as an opportunity to refill your creative well. Sure, you might get irritated at first, but trust me, those interruptions are worth their weight in gold. They remind us that life and writing are intertwined, and one cannot truly exist without the other.

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The multifaceted role of being an author

As a young author, it’s easy for others to assume that our only task is to write. Writing, of course, is the core of our work. It’s the creative process through which we weave stories, develop characters, and craft narratives that resonate with readers. Writing is where our imaginations soar, and our ideas take shape. However, writing alone is just the beginning of our journey as authors.

As young authors, we also find ourselves wearing the hat of content creators. In today’s digital age, creating engaging content beyond our books is essential for connecting with our audience. This includes maintaining a blog, writing articles, and even crafting social media posts that provide insights into our writing process or share our perspectives on literary themes. Content creation allows us to build a community, engage with readers, and establish ourselves as voices worth listening to.

In addition to writing and content creation, we become project managers of our own literary endeavours. Whether we’re working on a novel, a short story collection, or a series of poems, we are responsible for planning, organizing, and executing these projects from start to finish. This involves setting deadlines, creating outlines, managing revisions, and ensuring the overall quality of our work. Project management skills are crucial for young authors to navigate the complex landscape of completing and publishing their literary creations.

Another role we embrace is that of a finance manager. As authors, we must understand and manage our finances effectively. Indie authors even more so. This means budgeting for expenses related to editing, cover design, marketing, and even self-publishing if we choose that route. Keeping track of our income and expenses, understanding royalty structures, and making strategic financial decisions are all part of being a young author in charge of our own business.

Speaking of business, we can’t overlook the marketing aspect of our role. Even with the backing of a traditional publishing house, the onus falls on us to promote our work and build our author brand. We engage in social media marketing, connect with book bloggers and influencers, participate in interviews and podcasts, and explore various avenues to increase our visibility.

Marketing skills are crucial for young authors to reach their target audience and generate interest in their writing. It’s important to acknowledge that being a young author encompasses all these roles and more. We are not just writers; we are entrepreneurs, managing various aspects of our literary careers. While it may seem daunting at times, embracing these diverse responsibilities is what allows us to have creative control and chart our own path in the publishing world.

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Did writing my debut novel give me a false sense of security?

Currently engrossed in the process of editing books 2 and 3, I find myself facing greater challenges than I did with my debut novel. The journey of crafting my first book, Om jou te ken, flowed effortlessly. Not only did it bring my dream to life, but it also solidified my identity as a Young Adult writer.

Soon after finalizing the draft for my inaugural novel, I delved into writing book 2, followed by the ambitious creation of book 3 (which encompassed two separate manuscripts).

Presently, as I labour over the 23rd iteration of book 2, I’m met with formidable struggles. While I understand that grappling with challenges is an integral part of the writing process, I can’t help but draw comparisons to the relative ease I experienced while writing book 1. This juxtaposition leads me to question whether readers will derive the same enjoyment from these subsequent manuscripts.

Doubt, an ever-present companion of writers, doesn’t discriminate based on experience or talent. Conversations with seasoned writers have revealed that they too contend with profound uncertainty regarding their projects. However, reflecting on the cherished memories of composing my debut work, I find myself pondering if it inadvertently fostered a misleading sense of confidence. This niggling thought of “perhaps I could only achieve it once” contributed to an uncharacteristic bout of writer’s block that I grappled with.

In response to this impasse, I recognized the need for a break and granted myself a day away from my work. Acknowledging my exhaustion, I embarked on a brief hiatus, during which I breathed life into likable and authentic characters through short stories.

Returning to writing without the weight of expectation proved to be the key that unlocked the floodgates. Once again, I revisited my manuscripts, allowing myself to edit in a manner that brought me genuine satisfaction.

This enlightening journey underscored a vital lesson: each manuscript possesses its own unique writing process. Engaging in comparisons between them is a futile endeavour. Instead, I’ve learned to relish the creative process itself, embracing both its joys and its educational opportunities. As I continue to navigate the complexities of books 2 and 3, I am reminded to find solace in the journey, embracing its intrinsic value and ever-evolving lessons.

Om jou te ken: https://www.takealot.com/om-jou-te-ken/PLID73919389

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Falling for fiction: Red, White & Royal Blue by Casey McQuiston

Hey there, fellow bookworms!

Today, I’m diving into the enchanting world of Red, White & Royal Blue by Casey McQuiston. With the movie adaptation just around the corner, it’s the perfect time to share my thoughts on this gem.

First things first, let’s raise a glass to Casey McQuiston for their brilliant debut novel. It’s a hybrid of genres, mixing elements of romance, politics, and a dash of quirkiness. And let me tell you, it’s a bit of a wild rollercoaster, but in the most amazing way.

The story follows two intriguing characters, Alex – First Son of USA – and Henry – Second line to the British throne. They start off as adversaries but end up becoming deeply interested in each other.

I found myself laughing out loud at their hilarious banter.

History, huh? Bet we could make some!

Now, let’s talk about the romance. McQuiston’s writing style gives the story a modern and realistic voice that feels refreshing. The chemistry between Alex and Henry is off the charts, and the way they navigate their feelings is both heartwarming and swoon-worthy. It’s a straightforward, no-nonsense kind of romance that speaks to the modern soul.

Henry and Alex are beautifully fleshed out, and their personalities shine through the pages. They are so vibrant and full of life – the kind of characters you can’t help but root for.

The supporting characters are also well-established. From the fun-loving Pez to Henry’s dog David, each character brings their own unique flair to the story. The amount of research and attention to detail that went into developing these characters is admirable. Plus, the humour in this book is on point, adding an extra layer of delight.

One of the things that stood out to me was how the book explores Alex’s sexuality in a refreshingly healthy way. It’s different from the typical crisis-oriented narratives we often see. McQuiston deftly weaves this thread of self-discovery into the plot, making it feel natural and empowering.

Let’s dive into the historical elements of the story. McQuiston skillfully incorporates British and American history, creating a fascinating backdrop for the events to unfold. It’s like having brunch with your knowledgeable friend who knows all the juicy historical tidbits.

Some improvements I would’ve appreciated. The book starts off in a very weird way with a quote our main character, Alex, saw.

The stages of their love, understanding, and spending time with each other are clearly depicted, even if it does jump around a bit. But hey, love works in mysterious ways, right?

The character of June felt underdeveloped. I can’t help but wonder if there could have been more depth and purpose to June’s presence in the story.

June’s characterization felt like a mishmash of mumsy persona and girl-next-door vibes. Maybe the author intended it that way, but it didn’t quite hit the mark for me. I’d have loved a more distinct and consistent portrayal.

All in all, Red, White & Royal Blue is a fantastic journey filled with laughter, love, and unexpected twists. While it may have had a few hiccups along the way, it’s still a book I highly recommend. So, grab your copy, buckle up, and get ready to fall head over heels for Alex, Henry, and their unforgettable love story.

Happy reading!

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Reviving the muse: reenergize your writing journey in the face of unmotivation

Recently I’ve talked a lot about the business of being an author, but I also wanted to talk about the emotional side of writing. I experience physical burnout but not creative burnout. I would get ideas for the amazing scene but have no real energy to write it.

I had just finished a big project at work and decided to rest from my writing. But I also went looking for tips on how to heal and make writing fun again. Here are some tips to help you:

Set achievable goals: Break down your writing tasks into smaller, manageable goals. Set specific targets for word count, writing time, or completing a particular section. By focusing on smaller tasks, it can be easier to find motivation to get started.

Establish a routine: Create a writing routine or schedule that works for you. Set aside dedicated time for writing each day or week and treat it as a regular commitment. Having a consistent writing habit can help overcome the initial lack of motivation.

Find inspiration: Seek out sources of inspiration to reignite your creativity. Read books or articles in your genre, explore different writing prompts, listen to music that evokes emotions related to your writing, or engage in activities that stimulate your imagination. Inspiration can come from various sources, so experiment and find what works best for you.

Change your writing environment: Sometimes a change of scenery can make a significant difference. If you usually write in one location, try switching to a different spot—a café, a park, or even a different room in your house. A new environment can help stimulate your creativity and motivate you to write.

Take breaks: If you’ve been consistently writing and feel burned out, it’s okay to take a break. Give yourself permission to rest and recharge. Engage in activities that rejuvenate you, whether it’s reading, watching movies, spending time in nature, or pursuing other hobbies. Taking breaks can help you come back to writing with a refreshed mindset.

Remember, motivation can be elusive, but it’s discipline and persistence that will carry you through the writing process. Keep writing, even when you don’t feel motivated, and trust that the inspiration will return in due time.

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5 Essential Tips for Crafting Engaging Short Stories

While studying at #MyNWU (Go, Eagles!), I must confess that writing short stories didn’t ignite my passion. However, over time, I have developed a genuine love for this art form. In fact, when I set my goals for this year, penning five short stories was a vital part of my plan.

Writing short stories often comes naturally to me. It usually begins with a single scene that unravels in my mind. But to continually challenge myself and overcome any hurdles I encounter; I rely on five fundamental principles that serve as the bedrock of my storytelling.

Begin with a character at a pivotal moment:

Who is the most captivating individual in your life right now? What event has the potential to dramatically transform their existence? These two questions have become my starting point. By identifying the person who inspires my character and determining the challenges that can reshape their life, I find the ideal turning point to kickstart my story. Remember, I don’t rely solely on their entire life story; they merely serve as the foundation upon which I build.

Experiment with different perspectives:

Improvement doesn’t always come from going bigger. Just as the Marvel Cinematic Universe’s Phase 4 showcased how monumental battles impact ordinary individuals like Kate Bishop and Monica Rambeau, we can explore new angles within our narratives. Short stories provide an excellent opportunity for experimentation. Instead of narrating from the viewpoint of the superhero or even the villain, delve into the story of a small business owner whose establishment is devastated by an epic clash. Along this uncharted path, you may stumble upon intriguing discoveries.

Seek inspiration from established authors:

Countless writers have walked this path before you. When you find yourself grappling with writer’s block, turn to these literary pioneers for guidance. Read their works with intention, focusing on the art of storytelling. Observe how they intricately weave their tales together, and you may uncover invaluable techniques to enrich your own writing.

Persevere through consistent practice:

I staunchly believe that talent can only carry you so far. Writing is a craft, and like any skill, it demands continuous effort to improve. The year in which I published the most stories also coincided with the year in which I wrote the most. I heeded Ray Bradbury’s advice and committed to writing a short story every week. Embrace the mindset that it’s impossible to write 52 terrible stories in a row. For every rough draft, there lies a gem waiting to be polished into a submission-worthy piece.

Document your observations and emotions:

Don’t rely on your memory to capture fleeting moments of inspiration. Following the wisdom of my writing professor, Prof. Franci Greyling, I keep a writing journal. Within its pages, I preserve highlights from my daily experiences and jot down captivating observations. Furthermore, my Tuesday check-ins with a dear friend have taught me to acknowledge the emotions evoked by these encounters. These emotional cues become valuable tools in my storytelling arsenal.

Every author crafts their unique routine, and while mine continues to evolve, these five tips form the sturdy foundation upon which I construct my short stories. I sincerely hope they prove invaluable in your own creative endeavours.

Read few of my short stories here:https://linktr.ee/cliffordene

Happy writing!

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My writing tribe: the benefits of finding support

Writing is often seen as a solitary profession, where authors spend hours crafting their stories in solitude. However, I consider myself fortunate to have a unique support group that understands the effort I put into my writing.

In this blog post, I want to share the benefits of having a writing tribe and introduce you to my own amazing support system, which includes my sister, cousin, and even my fur babies.

Support throughout the writing process:

Within my writing tribe, my sister plays a crucial role as the ultimate tea maker. With her delicious tea creations, she fuels my creativity and provides the comfort I need to dive into my writing. Additionally, she acts as a beta-reader and editor, offering valuable insights and suggestions to enhance my work.

Perspective and feedback:

One of the greatest advantages of having a writing tribe that includes non-writers is their fresh perspective. My cousin, who isn’t involved in the publishing world, provides a unique outlook on the feedback I receive. This helps me step back, see the bigger picture, and truly absorb the value of the feedback, allowing me to grow as a writer.

Expanding horizons:

While being immersed in the writing world is essential, my writing tribe ensures that my world doesn’t become too insular. As they are not as introverted as I am, they introduce me to different influences and interests, which ultimately enriches my writing. Exploring other passions and having diverse experiences can spark new ideas and breathe life into my storytelling.

Meet my writing tribe:

I am incredibly grateful for the beings that make up my writing tribe. Let me introduce them to you:

My sister: She is not only a tea connoisseur but also a beta-reader and editor extraordinaire. Her support and delicious brews keep me going, especially during long writing sessions.

My cousin: Acting as my cheerleader, my cousin stays up late with me, providing moral support and keeping me company during those late-night writing marathons. Moreover, she is a constant source of TikTok ideas and help me create captivating content.

My fur babies: Lola and Ramsey, my furry companions, are my steadfast writing companions. They snuggle up beside me, providing comfort and companionship as I weave my stories. They’ve witnessed countless all-nighters and are always there when inspiration strikes, even in the darkest hours.

Having a writing tribe brings countless benefits to the writing journey. The support, motivation, and constructive feedback from fellow writers can be invaluable.

However, it’s important to remember that a writing tribe can extend beyond the writing community itself. In my case, my sister, cousin, and fur babies have made my writing journey enjoyable and easier, contributing in their unique ways. So, whether you find support within the writing community or among your loved ones, having a writing tribe can make all the difference in your writing adventure.

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Finding your narrative voice

Have you ever struggled with finding the right voice for your story’s narrator? You’re not alone. As writers, we often encounter moments where we need to capture the essence of our characters’ perspectives and breathe life into their voices. Last night, I found myself grappling with this very challenge, and I stumbled upon a method that helped me overcome the hurdle.

It all started when I sat down to work on a particular chapter. Feeling disconnected from my protagonist’s voice, I decided to experiment with naming the chapter. This technique is not one I frequently employ, but in moments of narrative struggle, it can prove to be quite effective. I began brainstorming several potential titles until one finally clicked, and it felt like the missing puzzle piece. The perfect chapter title for this particular segment emerged: “Apparently, family is more important than friends. Who knew?”

To my surprise, this simple exercise had a profound impact on my writing process. It instantly transported me back into the mindset of my main character, allowing me to regain their unique perspective and voice. Inspired by this experience, I want to share some advice that might assist you in discovering and embracing your own character’s voice:

  1. Know your point of view character: The key to effective storytelling lies in choosing the right character to tell your tale. Consider who has the strongest relationship with the plot, the one most influenced by the events unfolding, and who, in turn, influences the plot. This character will become your storyteller, so understanding their role is crucial.
  2. Familiarize yourself with their voice: A character’s voice shapes the overall tone and atmosphere of your book. Take the time to develop a deep understanding of your protagonist’s voice. Are they witty yet kind, or perhaps cruel but joyful? The nuances of their personality will greatly impact your narrative. As an exercise, try envisioning a scene from your favourite book, but this time, write it from the perspective of a secondary character. Pay attention to how the voice changes, what details they notice, and whether the atmosphere of the book remains intact.

By following these tips, you’ll be better equipped to create compelling characters with distinct voices. Don’t be afraid to experiment, explore, and fine-tune your narrator’s perspective until it resonates authentically with your story. Remember, finding the right voice is like unravelling a hidden treasure – it may take some time, but the reward is a captivating and engaging narrative that readers will remember.

So, the next time you find yourself wrestling with narrative struggles, give these techniques a try. You never know what discoveries await you as you delve deeper into the minds of your characters and unlock the true essence of your story.

Happy writing!

https://www.tiktok.com/@cliffordene/video/7249413565327691014
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Business decisions I made this year as a young author

It’s a day late but here is this week’s blog.

Being a young author has its unique challenges and opportunities. This year, I’ve made several business decisions that have shaped my journey as a writer.

I want to share two key decisions I made and the insights I gained from them. From separating my writing income from my savings to delaying the launch of a personal website, each decision has contributed to my growth and development as an author.

Separating writing income from savings:

For years, I’ve accumulated the money I earned from my writing and keep it merged with my savings. While it seemed like a sensible approach at first, I soon realized the downsides. When it came time to invest in writing-related tasks or make purchases to enhance my craft, it felt like I shouldn’t be touching that money. This created a mental barrier and made it difficult to allocate funds towards my writing goals.

To overcome this hurdle, I decided to open a separate bank account exclusively for my writing income. This small but significant step allowed me to view my writing earnings as a dedicated resource for my writing pursuits.

It also helped me set clear goals for what I wanted to accomplish with that money, such as attending writing workshops, investing in professional editing services, or marketing efforts. Now, I feel more confident and focused when making financial decisions related to my writing career.

Delaying the launch of a personal website:

In today’s digital age, having an online presence is crucial for authors. However, I made a conscious decision not to rush into creating a personal website just yet. Instead, I opted for a free blog on WordPress as a starting point. This decision was motivated by two factors: prioritizing my resources and waiting until I had built a stronger author platform.

By using a free blog, I was able to allocate my resources more efficiently. I could invest in other essential aspects of my writing journey. This allowed me to enhance the quality of my work and establish connections within the writing community.

Furthermore, I realized that launching a personal website would be more impactful once I had more published works to showcase and a larger readership base.

It made sense to hold off on creating a website until I had reached certain milestones in my writing career. This decision doesn’t mean I’m neglecting marketing; I actively engage with readers and fellow writers through social media platforms and online writing communities.

As a young author, making smart business decisions is crucial for long-term success. Each decision has taught me valuable lessons and shaped my path as a writer.

Moving forward, I’ll continue to evaluate my choices, adapt to new opportunities, and grow both as an author and as a business-minded creative.

Get to know me better:

@cliffordene

Looks like my life consists of food, coffee ad mydogs 🐶#MeetTheAuthor #writerscorner #AuthorAesthetic #BookTokSA #WriterLife #SouthAfricanAuthor #fyp #authorsoftiktok #AuthorTok #Authorlife #foryoupage #YAWriter

♬ Pretty (Sped Up) – MEYY
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Mastering book events: 3 essential tips for authors

Attending book events can be an exhilarating yet nerve-wracking experience for authors. Whether it’s a book signing, literary festival, or author panel, these events offer valuable opportunities to connect with readers, promote your work, and showcase your writing process.

To make the most of these occasions, here are three essential tips to keep in mind:

  1. Have concise answers ready about your writing process:

During book events, you’ll encounter curious readers who are genuinely interested in your craft. Be prepared to engage with them by having concise and thoughtful answers about your writing process. Share insights into your inspiration, creative routines, or any unique techniques you employ. By offering these glimpses into your writing journey, you’ll provide your audience with a deeper understanding of your work and create a meaningful connection.

Remember, brevity is key. Craft your responses to be succinct and engaging, allowing for smooth conversations that leave a lasting impression. This way, you’ll be able to navigate the event confidently and share your passion for writing with genuine enthusiasm.

  1. Create a catchphrase for book signings:

This one, I learned from Joha van Dyk!

Signing books is an opportunity to leave a lasting impression on your readers. To make the experience more memorable, consider creating a catchphrase or personal message that you can include when signing each book. This catchphrase could encapsulate the essence of your work, reflect your writing style, or convey a heartfelt sentiment.

The catchphrase could be a witty one-liner, a profound quote, or even a reference to a recurring theme in your book. Whatever you choose, make it unique to your brand and writing voice. This personal touch will make your autographed copies stand out, and readers will appreciate the extra effort you’ve put into making their copy special.

  1. Prepare a captivating scene to read:

During book events, you may be asked to read a passage from your book. To captivate your audience and leave them wanting more, it’s crucial to select a scene that showcases your writing prowess and entices listeners to dive deeper into your story.

Choose a scene that is self-contained, doesn’t require too much prior knowledge of the plot, and highlights your characters’ dynamics, narrative style, or an intense moment of conflict. Practice reading the scene aloud to ensure a smooth delivery, emphasizing the nuances of your writing, and bringing the words to life. By delivering a compelling reading, you’ll leave the audience eager to explore your book further.

Remember, preparation is key. By having a scene ready to read, you’ll feel more confident and prepared for any unexpected requests, allowing you to make the most of every book event you attend.

Attending book events can be a rewarding experience for authors. By implementing these three tips – having concise answers about your writing process, creating a catchy signing catchphrase, and preparing a captivating scene to read – you’ll not only engage with readers effectively but also leave a lasting impression that sets the stage for future connections and opportunities.

So, the next time you find yourself at a book event, embrace these tips and make the most of the invaluable chance to share your passion for writing, connect with readers, and leave a lasting impression in the literary world.

May your coffee taste like magic!

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Embracing the discovery: the advantages of being a pantser author

As a young author, I have discovered that there are multiple approaches to writing a story. While some prefer meticulous planning and outlining, others, like myself, thrive in the realm of discovery. Being a discovery author, also known as a pantser, offers unique advantages that allow our creativity to flow freely and take our stories to unexpected heights. In this blog post, I want to shed light on the four pros of being a discovery author and how it enhances the storytelling experience.

  1. The story flows naturally: One of the greatest joys of being a pantser author is the freedom to explore the story as it unfolds naturally. Without the constraints of a rigid plan, we can follow our instincts and allow the story to take us on a thrilling journey. This organic approach often leads to surprising twists and turns that we may not have anticipated, making the writing process an exciting adventure.
  2. More creative freedom: We have the liberty to let our imagination run wild and take the story in any direction that feels right. Without being bound by a preconceived plan, we can tap into our creative depths and explore unconventional paths. This freedom opens up endless possibilities for innovation, allowing us to infuse our stories with unique elements that captivate readers’ imaginations.
  3. Captivating plot twists: One of the most exhilarating aspects of being a discovery author is the ability to generate unexpected and captivating plot twists. Since we don’t have a predetermined roadmap, our stories have the potential to surprise not only our readers but also ourselves. The spontaneous nature of our writing process often leads to twists and turns that we couldn’t have foreseen during the planning stage. These surprising plot developments inject excitement and unpredictability into our stories, keeping readers hooked until the very end.
  4. Authentic characters: When we approach storytelling as discovery authors, our characters take on a life of their own. Without strict guidelines or predetermined character arcs, our creations become more authentic and relatable. Their reactions, decisions, and growth emerge naturally from the situations we place them in. This spontaneity brings our characters to life, making them feel genuine and multidimensional to readers. The organic development of our characters adds depth and complexity to the narrative, allowing readers to form deeper connections with them.

While being a discovery author certainly comes with its own set of challenges, such as the potential for plot holes or the need for revision, the advantages, for me, far outweigh the drawbacks. The freedom to explore, the boundless creativity, the thrilling plot twists, and the authenticity of our characters make the journey of a pantser author truly remarkable.

So, if you find yourself leaning towards the discovery approach to writing, embrace it wholeheartedly. Let your imagination soar, trust in the process, and allow your stories to unfold naturally. The path of a pantser author may be unconventional, but it is filled with endless possibilities and the potential to create narratives that surprise and captivate readers.

Embrace the discovery and let your storytelling talents shine.

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Enhancing characterization through short stories

As a short story writer, I’ve always been fascinated by the power of concise storytelling. Lately, I’ve been exploring how these shorter narratives can help me create better-developed characters for my novels. In this blog post, I’ll share my personal experience and the positive impact that writing short stories has had on my characterization process.

Short stories possess a unique quality – they allow you to convey powerful emotions and create compelling characters using economic yet impactful words. I’ve discovered that through dialogue, I can capture the essence of my characters and develop their personalities in a short span. This realization has significantly influenced my writing style.

“I started writing mini short stories focused on each of these characters to capture their essence more vividly.”

Recently, I received feedback on my third book: my characters lacked depth. I thought my initial character sketches were strong, but upon revisiting them, I realized they fell short. While the characters in my short fiction were vibrant and 3D – the characters in my novel were lacking. This realization motivated me to find a solution that would enrich my characters and make them more memorable.

To address this issue, I decided to delve into the lives of my side characters – the ones who add colour and depth to the main plot. I started writing mini short stories focused on each of these characters to capture their essence more vividly. By exploring their pasts, motivations, and desires in these shorter narratives, I could better understand their roles in the main novel.

Character development is crucial for any story, but it can be a daunting task for writers like me who prefer shorter timelines. Unlike some authors who spend years working on a single book, I find myself needing to maintain an emotional investment within a year. Writing these mini short stories has become my shortcut to achieving this emotional connection while ensuring that my larger novel doesn’t suffer.

The results have been remarkable. Through the mini short stories, I have been able to make significant improvements in my characters’ depth and authenticity. Exploring their personal journeys and weaving their experiences into the main plot has added a layer of richness to the overall story, making it more engaging for readers.

Short stories can indeed be powerful tools for enhancing character development. As a short story writer, I have found that these concise narratives allow me to create more memorable and authentic characters. By investing time in writing mini short stories focused on side characters, I can capture their essence and infuse it into my larger novel.

So, if you’re struggling to breathe life into your characters, why not give short stories a try? 

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I am back – an update on my journey

Hey there, fellow writers!

It’s been quite a while since I last graced the pages of this blog. Life took me on a whirlwind adventure, but I’m thrilled to be back, ready to dive into the world of writing once again.

I have been writing, experienced some burnout and recovered. For the rest of the year, I am committed to posting. Luckily with the help of ChatGPT, I can create strong blog posts, but this will focus on my writing journey. So, it will journal about my writing journey, processes, and lessons.

Write on!

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Photo gallery: 2 days at the Toyota US Woordfees

I recently had the honour to attend the biggest Afrikaans literary festival, the Toyota US Woordfees, in South Africa. I was one of the panel members on the subject: ticking boxes with diversity in youth novels. 

This topic and panel started after a prominent figure in the Afrikaans literary world wrote an article, “‘Gewone mense’ word al hoe meer randfigure” (‘Ordinary people’ are becoming fringe figures). 

Yeah, there were some feelings about this article in the Afrikaans publishing world. 

I joined some exceptional authors, André Trantraal, Zelda Beduizenhout and Joha van Dyk, and it was a great conversation. I think we all agreed, diversity is not a box to be ticked for modern authors. It’s the world we currently live in or the world we aspire to create. 

If diversity is a problem on people’s bookshelves, is it such a stretch to think they won’t tolerate it in their life? 

I was there for two and a half days, here are a few moments from my trip: 

Hello Cape Town, it’s good to see your face. 
Monday evening, I attended the book launch of the Toyota US Woordfees short story anthology – one of my short stories is published in #Wild. Coulnd’t stop laughing with Lynthia Julius and Keith Lewis!
I started my day off writing, of course, and with a great cup of coffee. 
Then it was time for our conversation! Joha van Dyk, myself, Zelda Bezuidenhout, our amazing facilitator Maggie Vorster, and André Trantaal. I was embarrassingly fan girling about André – I love his books and recently wrote a report about them for Creative Writing. I don’t even know what I said.
I saw a few familiar faces … Hello Mia 🙂
And finally met my writing partner, Leona, in person!

I joined my friend Marie Dry at a library in Claremont, talking to aspiring writers. “I used to give a lot of advice about ‘attend this course’ or ‘join this group’, but now I tell writers: write 10 short stories or books before you join a writing group,” was her advice. Advice I love!

We went to an early dinner, went home, and spent almost 12 hours talking about all things books and writing. It was amazing. 
The next morning, we went to breakfast, and I flew back home to the fur babies. 

Thank you so much to the Pan Macmillan team and Toyota US Woordfees. 

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Uittreksel: Om jou te ken

“Uh … ” Dié is nie ’n goeie idee nie. Hoe verduidelik ek vir hom dat ek vir hom en Georgia wil help? Hoe doen ek dit sonder om iets oor die dagboek te sê?

Sonder om my niggie te verraai?

“Jy hou van my niggie, nè?” vra ek dan maar reguit.

Hy kyk vinnig weg. Bloos hy? Maar hy herstel gou en toe hy weer vir my kyk, is sy oë glad nie meer so vriendelik nie. Al die punte wat ek gescore het, het soos mis voor die son verdwyn.

“Dis nie jou besigheid nie,” sê hy kortaf.

“Georgia is my niggie,” verdedig ek myself, al weet ek goed dat dit my steeds nie die reg gee om in te meng in haar sake nie. Al is ons nie close nie, is ek seker dat dit waarmee ek nou besig is die laaste ding is wat sy sou wou hê.

Sean se lag koggel my.

“Ek dog julle is sworn enemies. Hoekom gee jy nou skielik om?”

Die waarheid maak seer, en ek voel elkeen van daai woorde.

“Moenie ’n asshole wees nie, Sean!”

Ek weet nie wie is meer verbaas nie. Ek glo in juffrou Samuels se motto: Mense wat vloek, kan hulself nie behoorlik uitdruk nie.

Maar ná James praat niemand weer so met my nie.

Nooit weer nie!

Sean haal diep asem en sy stem is sagter toe hy praat.

“Kyk, wat tussen my en Georgia aangaan, is onse besigheid. Ek gaan niks sê nie, en sy sal dit nie waardeer dat jy interfere nie.”

Hy ken Georgia duidelik goed. Ek wil self hê almal moet hulle neuse uit my en Brandon se sake hou.

Ek begin na die bus toe stap, maar draai terug. Well, tough. Die gedeelde bloed in my en my niggie se are moet my darem sekere goed toelaat.

“Sean … Moet nie met haar mors nie, oukei?”

“Of wat?” Sean lag, en dit nooi my uit om saam te lag, maar ek join hom nie.

Ek druk my rugsak teen my vas en voel die harde cover van Georgia se dagboek. Ek wik en weeg ’n oomblik, en besluit om die waarheid te praat.

“Sy is nie so sterk soos sy pretend nie. Moet jy nou nie nog iets slegs wees wat sy moet deurmaak nie.”

Moet nie haar pa wees nie, wil ek sê, maar dis iets wat Georgia nog nie gereed is om met die Here te bespreek nie, so ek sê eerder: “Moet haar nie seermaak nie.”

Koop:

Wordsworth: https://www.wordsworth.co.za/collections/afrikaans-teenage-young-adult-fiction/products/om-jou-te-ken

Graffiti: https://www.graffitibooks.co.za/af/385788/Boeke

Reader’s Warehouse: https://www.readerswarehouse.co.za/products/om-jou-te-ken

Takealot: https://www.takealot.com/om-jou-te-ken/PLID73919389

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I watched NetFlix’s Persuasion and I liked it …

I have always loved true-to-the-time-period adaptations of historical fiction. One, because it seems the “sex sells” approach is often null and void in historical fiction, and two, because watching the story, however, enjoyable, is an exhibition of how society has evolved or not.

So, I was excited for Netflix’s adaptation of Jane Austen’s Persuasion. Now, Pride and Prejudice, the novel and the 2005 movie with Kiera Knightley and Matthew Macfadyen, is still my heart’s favourite.

 But Persuasion is a book that holds special significance to me as an author. It is great to see an author grow and reading the development of Austen’s writing was amazing. And the language, it was beautiful.

I was so excited to watch it until I saw the memes on Twitter. “Dear Austen, what have they done to you?” was my first thought. I took two weeks to watch the movie and expected to hate Persuasion, but I found it charming. 

I could see why people were angry, but I could just sit back and enjoy it. The storyline felt funny and snarky, and even when I missed the language Jane Austen used, I could laugh at the snark.

“You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone forever. I offer myself to you again with a heart even more your own than when you almost broke it, eight years and a half ago. Dare not say that man forgets sooner than woman, that his love has an earlier death. I have loved none but you.” – Jane Austen, Persuasion

“There could have been no two hearts so open, no tastes so similar, no feelings so in unison.” – Jane Austen, Persuasion

These quotes are more powerful than:

I do see why people would hate the movie. It can come across as patronizing of Austen’s work. However, I feel like Persuasion was so removed from the original, that I could watch it as something else entirely. Yes, the names are the same, yes the storyline is the same – but the Jane Austen magic was missing.

Which is why I could enjoy it. If I could not remove it from the original, I would be on Twitter as well. Pistol in hand. 

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3 Tips to go from short to long-form writing ️ 

“Short stories are one of the hardest formats to write.”

I’ve heard this several times over the years from several different sources. But for me, going from a short story writer to a novelist was harder. Where I was used to getting things done with an energy-saving word count, I now had the opportunity to write more.

This is going to be easy, I thought at first. I struggled a few hundred times and have a proud folder of dozens of unfinished manuscripts. Then I followed Gerda Taljaard’s advice: I wrote each separate chapter as a short story, but when I finished my first novel, I still came up short.

I had to almost double my word count before considering submitting the book. So, I had to look at what I could do to write more without deluding my story.

1. Getting to know my CHARACTERS

First, I asked myself. Do I really know my characters? How will they react in a given situation? In some instances where I was unsure, I would act out different scenarios until my character’s reaction feels real. 

2. Is the SETTING a character?

When writing short stories, I tried to keep the description of the setting as short as possible. But during a visit home, I realised how the setting influences me. When I visit a place it usually influences my water intake, skin, and hair. It influences my comfort level, and that’s something I am working on incorporating more into my work.

So, ask yourself: how does the setting influence a character’s behaviour or the plot of the story? I don’t think Gabby in Om Jou Te Ken would’ve participated in the war at home, because she fears disappointing her mother too much.

3. Use a different POV

If you are struggling with a scene, write it from the point of view of another character. This usually helps me see the gaps in what I have written. Sometimes a different character opens new avenues, maybe they become the main character, or it reveals a relationship that becomes the heart of the novel. 

I recently used this in a WIP I’m working on and found that when I visualised the events from my secondary character’s perspective, additional chapters popped up – making the story richer.

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My life in vlogs

Life, loadshedding and work have been kicking my ass lately. So, instead of a blog post, you are getting three TikTok videos I made using Instagram Reels. I love vlogs and have been doing a lot of them on TikTok, to the annoyance of the people in my life.

I stop for a while but picked it back up lately because I quite honestly love it. Life seems to be moving so fast, these mini vlogs reminded me to enjoy each moment. Yeah, I know it’s edited to be more aesthetically pleasing but still, I’ve found myself being a bit creative, relaxing, and smiling in the ten or so minutes it takes me to put these together.

@cliffordene

#weekinmylife #BookLover #Minivlog #CreativeWriting #YAAuthor #Authorlife #writersoftiktok #Writinglife #vlog @didipotgieter

♬ Cornelia Street – Taylor Swift
@cliffordene

The Language. The Story. The Realness. #ToeAlsGroenWas @anmaridocarmo #YABooks #writersoftiktok #Authorlife #YAAuthor #BookLover

♬ cardigan – Taylor Swift
@cliffordene

#fyp #foryoupage #booktok #bookish #readersoftiktok #foryou #books #dayinmylife #BookLover #Minivlog #CreativeWriting #YAAuthor #Authorlife #writersoftiktok #Writinglife #dailyvlog

♬ Dancing in the Moonlight – Toploader
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Resensie: Anderkant die blou – Zelda Bezuidenhout

Lienke en Dezi beleef die vakansie van hulle lewe in Kalkbaai. By die hotel ontmoet hulle Danroy, ’n kelner wat vakansiewerk doen, wat hulle na al die mooiste plekke in die baai vat. Hulle leer ken Danroy se “skwad” en sy geliefde Uncle Kaz. Dan is daar ’n tragedie op see wat Danroy en sy ma se lewe omkeer. Soos Uncle Kaz altyd sê: “Mens het net drie goete nodig om gelukkig te wees: iemand om lief te hê, iets om jou hande mee besig te hou, en iets om na uit te sien.”

Anderkant die blou is antie Zee (my niggie se noemnaam vir haar gunstelingskrywer) se jongste boek en ek wil meer hê. Ek het dit baie geniet, hoewel ek nie aanvanklik van Dezi gehou het nie (sy was bietjie sturvy), het ek haar later geniet.

Twee karakters wat my diep geraak het was Lienke en Danroy. Danroy se opregte liefde vir oom Kaz was wonderlik. Ek kon hul Cola-gesprekke saam met mekaar sien en geniet. Ek wens eintlik daar was meer daarvan in die boek.

Ek het ook geweldige empatie met Lienke en haar pa gehad. Ek kon haar kant, asook haar pa se kant insien. Hulle is ook graag karakters wat ek meer wil sien, want dit voel asof hul verhouding potensiaal het. Potensiaal vir Lienke om meer te leer en vir haar pa om sy dogter te ondersteun.

My een probleem was egter met die geheim wat aan die einde van die verhaal onthul word. Ek voel teenstrydig oor hierdie geheim, want aan die een kant was ek baie bly dat dit slegs aan een karakter onthul is. Aan die anderkant het dit my met die gevoel van “te maklik” en baie vrae gelaat.

Ek was mal oor die avonture waarop Danroy die vriendinne gestuur het. Dit was so ongelooflik uniek en fun. Goeie boek – my niggie is nou besig om dit te verslind.

Beskikbaar by:

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Review: Young Royals – my new favourite series

“Everything is fake, but I like you and that isn’t fake.” – Wille in Young Royals

I discovered Young Royals, a Swedish teen series, because of my dislike for Heartstopper. Now, before the ­Heartstopper stans come for me, I just want to say: I don’t know why I don’t like it, I just don’t.

That is why, I was very skeptical about Young Royals, it was sold to me as Heartstopper’s dark more realistic sibling. It is so much more than that. If I have to compare Young Royals to any story, it’s Casey McQuiston’s amazing debut Red, White & Royal Blue. (It is a must read!)

Young Royals is one of my favourite series and I’ve watched it three times in the last two weeks. Even though the series touches on some familiar teenage tropes, how it handles said tropes is incredibly realistic, relatable, and enjoyable. 

What is it about?

The six-episode series begins with Prince Wilhelm of Sweden (Edvin Ryding) being sent to the elite boarding school Hillerska, located near the town of Bjärstad, after a fight in a club and the bad press that followed. His older brother, Crown Prince Erik, studied at Hillerska and so does August, the princes’ second cousin. Wilhelm (or Wille) meets and starts a relationship with Simon (Omar Rudberg), the poor student who lives in Bjärstad.

Why does this seem familiar?

“We can kill someone, and no one would say a word.” – August in Young Royals

The main focus of the series is Wille and Simon, or #Wilmon’s relationship, but friendship, parental expectations, power, wealth, and class are also themes.

https://twitter.com/i/status/1531856674021163008

Growing up, I read a lot about the Swedish boarding school trope, but it wasn’t until Young Royals that I realised I haven’t watched a series on it.

Whose story is it anyway?

While Wille en Simon’s developing romance is a strong focus, I think the story is Wille coming to terms with his fate and sexuality. The series starts and ends with him.

Wille is an unwilling prince, and August constantly calls him out for not appreciating his royal heritage and power. Throughout the series he constantly struggles with who he is and who he wants to be.

This plays a big role in his relationship with Simon, because princes aren’t supposed to be gay. He wants to be with Simon, but he is also aware of his family’s (and his country’s) expectations. This is even more important from episode 4.

What didn’t I like?

Even with a series like Young Royals, something I love, there are a few things that annoyed me. When Wille arrives at Hillerska, it is almost like his life before then, didn’t exist. One of his main arguments about not wanting to attend Hillerska is, because his friends are staying here.

After he arrives, it’s almost like his friends don’t exist. He only talks to his brother and stalks Simon on Instagram. Why doesn’t he check his friends’ social media or receive a message from them?

Secondly, the second scene at the start of episode 2 is annoying. If felt very on the nose, with the stereotypical roles reversed (I won’t spoil, in case it influences you.)

Oh, gimme more of this!

What I love about Young Royals is the characters. The characters are not only relatable but feel very original.

Let’s talk about the supporting characters: Sara, August, and Felice.

Sara is Simon’s sister, it isn’t clear in the series but I think they are twins. They both attend Hillerska together and she is on the spectrum. While this is mentioned, it isn’t her entire identity. Moreover, Sara feels real. Characters on the spectrum are almost always created to be gullible or angelic. Sara makes mistakes, she’s an **shole to her family, she struggles with peer pressure – she is a teenager.  

August is the bad guy, I mean, really dude. Really? But he is also complex and at parts you have empathy for him.

Felice is the popular girl from one of the richest families. She is also kind and has a fear of horses. Felice’s biggest struggle is the desire to please her mother versus her own wants and needs.

Mostly, I love how the show handled Wille and Simon’s relationship because the conflict they experience is external. They don’t have all the drama that comes with the usual teenage romances. Wille is immediately attracted to Simon from the first moment.

https://twitter.com/i/status/1531016532582617089

After their first kiss, Wille has a minor gay panic moment, and talks to Simon about that. This is not a once off, because they continuously talk to each other during their relationship. Something that is not the norm in teenage relationships.

I also love that even if Simon often starts the physical part of the relationship, handholding, kisses, etc., Wille seeks him out and wants to create the emotional intimacy. He always talks to Simon first, sits next to him, and goes on the date with Simon.

Their emotional honesty reaches a climax in the finale when they each choose what they need. There is no dramatic break up, unless you count Wille and August’s blow up, just them choosing what they need now, despite loving each other. 

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5 Tips for writing short stories

I didn’t love writing short stories while I was studying (#MyNWU baby!) but have developed a true passion for them since then. When I planned my goals for this year, writing five short stories was part of the plan.

I have to admit that short stories come easily to me. It tends to start with one scene and almost unfolds in my mind. But I try to challenge myself often, and when I am struggling, I go back to these five pillars.

  1. Start with a character at a turning point

Who is the most interesting person in your life, right now? And what has the power to dramatically change their lives? I always asked myself these two questions, because if I know who I am basing my character on, I know what challenges can change their life. The turning point/change is where the story starts.

Take note: I don’t use their whole existence to create a story, they are usually a starting point. Build from there.

  • Write from a different perspective.

You don’t have to always go bigger to get better. The MCU Phase 4 has shown how the big battles influence everyday people like Kate Bishop and Monica Rambeau.

So, if you tend to tell the story from a particular point of view, change that. A short story is a good place to experiment a bit. Instead of writing from the point of view of the superhero or even villain, tell the story of the small first-time business owner whose business just got destroyed in the epic battle. You may find something interesting along the way.

Die Meisie Met Uitroeptekens In Haar Oë
  • Find inspiration from other authors.

There have been thousands of authors before you. If you are struggling, read one of them. Reading with intention, focus on how the author has put the story together, and it may teach you a trick or two.

  • Keep going

I am a firm believer that talent only takes you so far. Writing is a craft and just like anything else, you have to work to improve. The year I published the most stories, was also the year I wrote the most stories.

I followed Ray Bradbury’s advice: “Write a short story every week. It’s not possible to write 52 bad short stories in a row.” For every bad story, there is a usable one and with a little polish, you create something that is ready for submission.

  • Keep notes

No, you won’t remember the interaction you’ve just seen. One of my writing professors, prof Franci Greyling, advised us to keep a writing journal. I tend to use mine as a time capsule, writing highlights of my days, or noting down things that catch my eye or mind.

Secondly, I tend to have Tuesday check-ins with one of my friends. It’s just us messaging each other on a Tuesday morning to explain what happened the previous week so that we keep up with each other’s lives. I have found that it taught me to notice the things that evoke emotions within me. So, I use it in my writing.

Vrydagaand

Every author I know has their own routine and while mine is still evolving, these tips are my foundation for creating short stories. I hope it also helps you. 

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Review: Tweet Cute by Emma Lord

I met Tweet Cute by Emma Lord on a recommended list in February of this year, and I was never so happy about an introduction. What a book!

Meet Pepper, swim team captain, chronic overachiever, and all-around perfectionist. Her family may be falling apart, but their massive fast-food chain is booming – mainly thanks to Pepper, who is barely managing to juggle real life while secretly running Big League Burger’s massive Twitter account.

Enter Jack, class clown and constant thorn in Pepper’s side. When he isn’t trying to duck out of his obscenely popular twin’s shadow, he’s busy working in his family’s deli. His relationship with the business that holds his future might be love/hate, but when Big League Burger steals his grandma’s iconic grilled cheese recipe, he’ll do whatever it takes to take them down: one tweet at a time.

All’s fair in love and cheese – that is, until Pepper and Jack’s spat turns into a viral Twitter war. Little do they know, while they’re publicly duking it out with snarky memes and retweet battles, they’re also falling for each other in real life – on an anonymous chat app Jack built.

 As their relationship deepens and their online shenanigans escalate – people on the internet are shipping them?? – their battle gets more and more personal until even these two rivals can’t ignore they were destined for the most unexpected, awkward, all-the-feels romance that neither of them expected.

I loved Pepper since I sat with her behind her computer and worked to rewrite her Great Expectations essay. Feeling like an outsider, Pepper works hard to be top of her class, even if she is unsure about what she wants to study.

Attending an elite school, the Blair Waldorf Gossip Girls type turns her into a sleep-deprived, high-strung reck who is barely keeping her life together. Add to it, her sister and mother’s beef, and her mother’s expectation that she help with the family business.  

Then there is Jack, who is seen as the class clown and the lesser perfect twin. He loves coding, his family, and his family business, but also wants to choose his own path. Something his father seems to discourage at every opportunity – expecting Jack to take over their family deli from him one day.

Jack and Pepper also manage their family businesses’ Twitter accounts and get into a Twitter war when it seems that Pepper’s family business, Big League Burger, seems to copy Jack’s grandmother’s family grilled cheese recipe.

Pepper and Jack also chat on an app he designed where people get to know each other anonymously until the app chooses to reveal your identity. He has of course rigged his conversation with Pepper so that their identities can’t be revealed.

I loved most aspects of this book. The characters felt very real and authentic, and I loved both of them. Jack challenges Pepper to move outside her comfort zone, sometimes literally. I also loved Pepper and her sister’s blog and recipes (I would eat each of everything if I could).

I didn’t like Pepper’s mother, even if I understood her later in the book. She is very self-involved and negligent of Pepper, in my opinion. Her expectation that BLB takes precedent over everything else in Pepper’s life, is maddening. Instead of helping Pepper with her impending burnout, she seems to not notice it and when she grounds her daughter, the motives seem muddy. 

Pepper and Jack’s friendship was very pure and fun – the banter made me laugh aloud. This is a book I would recommend to everyone – it is just so fun! 

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Video: Admin day in my life

Hello to sister content

I recently wrote a post about my mind shift from the creative to the business side of writing. The inspiration for that post was a day in my life video – author admin edition.

On one of my off days, I tried to get my docs in a row. I needed to plan and create content for my blog, plan my social media content for two weeks (I really need to do that again), claim my books and profile on GoodReads, and get my documents certified to receive the payment for one of my recently published short stories.

I took you along! Hope you enjoy it! 

@cliffordene

It’s not just sitting behind a laptop! Come with me – taking care of the admin side of writing: claiming my GoodReads account, getting my docs in a row, and updating my website: https://cliffordenenorton.home.blog/ #DayInTheLife #DayInTheLifeOfAnAuthor #Authorlife #Writinglife #YAAuthor #Writing #Writinglife #WritingVlog #MiniVlog #WritersOfTikTok

♬ While We’re Young – Jhené Aiko